I once read Franz Kafka’s 267-word micro story ‘Resolutions’ a hundred times and was absolutely certain that I could write a whole PhD thesis on it, rather than the 5,000-word essay* I was tasked with during my Masters Degree. Having just read Marion Milner’s On Not Being Able to Paint, I’m almost certain I could spend the next ten years exploring its text, rather than simply referencing it in the PhD chapter I’m about to write. But good. That is what an object of study is meant to do: fascinate, bewilder, absorb.
Last night I created another found poem. It’s the largest yet, 40cm x 50cm, made up of four roughly A4 pictures and two articles, one from the London Review of Books on an architect from the 1930s and her work and life in Paris, and one from the New Scientist on physiognomy and recognising character in faces.
The process was a long one but worth it. After cutting the two articles into segments, which took a few hours, I then laid them all out, which took about another hour, so I could then begin to assemble the poems. I did this one at a time, looking for the pieces that would go together. This disassembling and then reassembling differently really teaches me a lot about language, phrases, emphasis, and the found nature of language, and also of its essential construction. As a writer, I find it an incredibly invaluable task. At the end, for the last poem, there weren’t many words or phrases left, or not that many that gave much ‘depth’ – rather, just very sparse words or phrases. And I had to construct from these. That I could still do so taught me about what I had left to work with, and the power of individual words together. The poems become, strangely, much deeper the less ‘depth’ or pre-built in meaning the cut out phrases held. Continue reading
A very busy week with the students this week; also, a return to a weekend spent on the PhD, and most other things (running, thinking!) have taken a back seat, hopefully chilling there, watching the scenery as it’s passing by, and composting some thoughts. One thing I have done is make this, thinking more about the self, and self-construction in relation to the three selves: